Recursos compositivos del Neoclasicismo en la obra para guitarra Sonata Omaggio a Boccherini del compositor Mario Castelnuovo–Tedesco
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2019-12-30
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Universidad Nacional de Música
Resumen
La Sonata Omaggio a Boccherini es considerada una de las principales obras del repertorio contemporáneo de guitarra. Aunque la Sonata ha sido materia de algunos estudios en el ámbito académico, poco se ha dicho sobre la relación de esta obra con la tendencia del Neoclasicismo musical del siglo XX. En este artículo, se emplean la propuesta de “concepto estético del neoclasicismo” de la musicóloga Ruth Piquer–Sanclemente y la teoría del “anacronismo metamórfico” de la musicóloga Martha Hyde con la finalidad de determinar cuáles son los recursos compositivos del Neoclasicismo presentes en la Sonata Omaggio a Boccherini. Para contextualizar el estudio, se hace una aproximación al surgimiento e instalación del Neoclasicismo francés, y a cómo, en este proceso, emerge una reivindicación de la guitarra en España y Europa. Como parte central se procede al análisis musical de fragmentos específicos que establecen una relación con el pensamiento neoclásico; particularmente, se ahonda en el análisis del tercer movimiento Minuetto. En este estudio, se devela cuáles fueron los recursos compositivos del Neoclasicismo empleados en el proceso creativo de la obra; el reconocimiento de estos elementos permite explorar cómo Castelnuovo–Tedesco desarrolló recursos compositivos propios de la estética musical de su tiempo.
Sonata Omaggio a Boccherini is considered one of the major pieces of contemporary guitar repertoire. Even though this composition has been the subject of some studies in the academic field, little has been said about its relationship with the trends of musical Neoclassicism in the twentieth century. Through this article, Ruth Piquer–Sanclemente s aesthetic concept of Neoclassicism and Martha Hyde s theory of metamorphic anachronism are employed to determine the compositional resources of Neoclassicism present in the Sonata Omaggio a Boccherini. To contextualize this study, an approach to the emergence and establishment of French Neoclassicism is made, as well as the way in which a vindication of guitar appears in Spain and Europe during this process. The main part of the article offers a musical analysis of specific fragments that state the presence of Neoclassical principles, work that is particularly deepened when dealing with the third movement Minuet. Finally, this study unveils the Neoclassical compositional resources employed in the creative process of the Sonata. The recognition of these elements allows us to explore how Castelnuovo-Tedesco developed characteristic compositional resources of the musical aesthetics of his time.
Sonata Omaggio a Boccherini is considered one of the major pieces of contemporary guitar repertoire. Even though this composition has been the subject of some studies in the academic field, little has been said about its relationship with the trends of musical Neoclassicism in the twentieth century. Through this article, Ruth Piquer–Sanclemente s aesthetic concept of Neoclassicism and Martha Hyde s theory of metamorphic anachronism are employed to determine the compositional resources of Neoclassicism present in the Sonata Omaggio a Boccherini. To contextualize this study, an approach to the emergence and establishment of French Neoclassicism is made, as well as the way in which a vindication of guitar appears in Spain and Europe during this process. The main part of the article offers a musical analysis of specific fragments that state the presence of Neoclassical principles, work that is particularly deepened when dealing with the third movement Minuet. Finally, this study unveils the Neoclassical compositional resources employed in the creative process of the Sonata. The recognition of these elements allows us to explore how Castelnuovo-Tedesco developed characteristic compositional resources of the musical aesthetics of his time.
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Sonata Omaggio a Boccherini, Mario Castelnuovo–Tedesco, Guitarra, Neoclasicismo, Siglo XX, Daniel Galindo
Citación
Galindo Bicerra, J. D. (2022). Recursos compositivos del Neoclasicismo en la obra para guitarra Sonata Omaggio a Boccherini del compositor Mario Castelnuovo–Tedesco. Antec: Revista Peruana De Investigación Musical, 3(2), 74–94. https://doi.org/10.62230/antec.v3i2.78
