Instauración de la marcha procesional en la música de tradición religiosa en la Lima de inicios del siglo XX
Fecha
2021-08-14
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Universidad Nacional de Música
Resumen
Este trabajo explora cómo fue la configuración de las características formales e instrumentales del género musical marcha procesional en su proceso de instauración en la tradición musical limeña a inicios del siglo XX. Se contextualiza tal instauración en el marco de la tradición popular religiosa más concurrida de Lima que es la procesión del Señor de los Milagros, en la cual la banda de músicos es un componente social fundamental, cuya continuidad ha generado un importante repertorio, una forma musical propia y un formato instrumental específico, peculiar en la historia de la banda, pasando de esta manera de una concepción militar a una concepción sonora de carácter religioso y procesional. Un abordaje central en este estudio es el reconocimiento de los aportes del músico José Sabas Libornio Ibarra y del compositor Constantino Freyre Arámbulo a su llegada a Lima, y de cómo su labor dio inicio a la creación de obras con características musicales de forma e instrumentación específicas para la función religiosa. En este mismo sentido, se analiza el aporte directo de las bandas oficiales del país a la instauración de esta expresión musical en la tradición religiosa limeña.
This work explores how the formal and instrumental characteristics of the processional march in the music genre were configured in its process of establishment in the musical tradition of Lima at the beginning of the 20th century. Such establishment is contextualized within the framework of the most popular religious popular tradition in Lima, which is the procession of the Lord of Miracles, in which the band of musicians is a fundamental social component, whose continuity has generated an important repertoire, a musical form its own and a specific instrumental format, peculiar in the history of the band, thus moving from a military conception to a religious and a processional sound conception. A central approach in this study is the recognition of the contributions of the musician José Sabas Libornio Ibarra and the composer Constantino Freyre Arámbulo upon their arrival in Lima, and how their profession began to create works with musical characteristics of specific form and instruments for religious function. In this same sense, the direct contribution of the country’s official bands for establishing this musical expression in Lima’s religious tradition is analyzed.
This work explores how the formal and instrumental characteristics of the processional march in the music genre were configured in its process of establishment in the musical tradition of Lima at the beginning of the 20th century. Such establishment is contextualized within the framework of the most popular religious popular tradition in Lima, which is the procession of the Lord of Miracles, in which the band of musicians is a fundamental social component, whose continuity has generated an important repertoire, a musical form its own and a specific instrumental format, peculiar in the history of the band, thus moving from a military conception to a religious and a processional sound conception. A central approach in this study is the recognition of the contributions of the musician José Sabas Libornio Ibarra and the composer Constantino Freyre Arámbulo upon their arrival in Lima, and how their profession began to create works with musical characteristics of specific form and instruments for religious function. In this same sense, the direct contribution of the country’s official bands for establishing this musical expression in Lima’s religious tradition is analyzed.
Descripción
Palabras clave
Historia de la Música, Banda de Música, Marcha Procesional, Lima, Música del siglo XX
Citación
Chacón Salazar, M. H. (2021). Instauración de la marcha procesional en la música de tradición religiosa en la Lima de inicios del siglo XX. Antec: Revista Peruana De Investigación Musical, 5(1), 71–89. https://doi.org/10.62230/antec.v5i1.111
