El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano
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The involvement of rock music in the development of music communities in Peru is an unexplored theme in the academic world. In the construction of national and regional models of a distinctive musicality, popular urban music of foreign origin has not been considered; nor has it been considered as an element in the formation of an identity governed by the discursive parameters of the nation-state. In this work, we explore the confrontations and dichotomies that are maintained as foreign in the subject of rock and in the communities of national and global rock music.