Música para el templo del convento de San Agustín de Lima. El maestro de capilla fray Cipriano Aguilar
Fecha
2023-12-23
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Universidad Nacional de Música
Resumen
Cipriano Aguilar Fernández fue un fraile agustino cuya vida transcurrió durante el paso del Perú virreinal al republicano. En 1837 fue nombrado maestro de capilla del convento agustino de Lima. Algunas obras suyas han sido encontradas, pero ninguna en dicho convento limeño. Estas obras presentan evidencias de que fray Cipriano Aguilar asimiló el estilo musical de Joseph Haydn, pero sujeto a la forma en que dicha estética se implantó en España durante los últimos veinte años del siglo XVIII, en la cual se empleó la orquesta como acompañamiento para la música vocal litúrgica. En este contexto, el espacio conventual se convirtió en un centro para la formación de músicos, cantantes e instrumentistas limeños. Así mismo, se observa el desarrollo estético de una práctica musical que pervivió hasta veinte años después de la Independencia de España lo que permite inferir que hubo una ruptura política con la nación ibérica, pero se buscaba mantener vínculos con la cultura europea.
Cipriano Aguilar Fernández was an Augustinian friar whose life took place during the transition from viceregal to republican Peru. In 1837 he was named chapel master of the Augustinian convent of Lima. Some of his works have been founded but none of them in said Lima convent. These works present evidence that Cipriano Aguilar assimilated the musical style of Joseph Haydn, but subject to the way in which said aesthetic was implemented in Spain, during the last 20 years of the 18th century, in which the orchestra was used as accompaniment for liturgical vocal music. In this context, the convent space became a center for training of Lima musicians, singers and instrumentalists. Likewise, the aesthetic development of a musical practice is observed that survived until 20 years after Independence from Spain and allows us to infer that we broke politically with the Iberian nation but, we tried to maintain relationships with European´s culture.
Cipriano Aguilar Fernández was an Augustinian friar whose life took place during the transition from viceregal to republican Peru. In 1837 he was named chapel master of the Augustinian convent of Lima. Some of his works have been founded but none of them in said Lima convent. These works present evidence that Cipriano Aguilar assimilated the musical style of Joseph Haydn, but subject to the way in which said aesthetic was implemented in Spain, during the last 20 years of the 18th century, in which the orchestra was used as accompaniment for liturgical vocal music. In this context, the convent space became a center for training of Lima musicians, singers and instrumentalists. Likewise, the aesthetic development of a musical practice is observed that survived until 20 years after Independence from Spain and allows us to infer that we broke politically with the Iberian nation but, we tried to maintain relationships with European´s culture.
Descripción
Palabras clave
Estilo Clásico, Joseph Haydn, Ilustración, Liturgia, Maestro de Capilla
Citación
Vega Zavala, C. H. (2023). Música para el templo del convento de San Agustín de Lima. El maestro de capilla fray Cipriano Aguilar. Antec: Revista Peruana De Investigación Musical, 7(2), 192–213. https://doi.org/10.62230/antec.v7i2.204
