Prisma (1967): Contexto creativo y análisis de la obra del compositor peruano Enrique Pinilla
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2024-06-27
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Universidad Nacional de Música
Resumen
Enrique Pinilla fue un compositor peruano que perteneció a la Generación del 50. La década de 1950 “representó el fin de una era y el punto de partida de otra”, debido a que la actividad composicional en Latinoamérica tuvo cambios que condujeron a una gran variedad de estilos y diversidad de estéticas.
En este sentido, se puntualiza que la obra de Pinilla es pequeña y atribuye esto a la diversificación creativa en sus obras. Pinilla obtiene la beca Fulbright, para estudiar música electrónica en la Universidad de Columbia bajo la guía del compositor estadounidense Vladimir Ussachevsky y compone allí su única obra electrónica, Prisma, para cinta magnética, como consta en el catálogo elaborado por Edgar Valcárcel en 1987.
Enrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics. In this sense, it is pointed out that Pinilla's work is small and attributes this to the creative diversification in his works. Pinilla obtained the Fulbright scholarship to study electronic music at Columbia University under the guidance of the American composer Vladimir Ussachevsky and there he composed his only electronic work, Prisma, for magnetic tape, as stated in the catalogue prepared by Edgar Valcárcel in 1987.
Enrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics. In this sense, it is pointed out that Pinilla's work is small and attributes this to the creative diversification in his works. Pinilla obtained the Fulbright scholarship to study electronic music at Columbia University under the guidance of the American composer Vladimir Ussachevsky and there he composed his only electronic work, Prisma, for magnetic tape, as stated in the catalogue prepared by Edgar Valcárcel in 1987.
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Dosier, Enrique Pinilla, Compositor, Dossier, Enrique Pinilla, Composer
Citación
Magán Palomino, M. A. (2024). Prisma (1967): Contexto creativo y análisis de la obra del compositor peruano Enrique Pinilla. Antec: Revista Peruana De Investigación Musical, 8(1), 31-40. https://doi.org/10.62230/antec.v8i1.223
