Patria sonora: música patriótica, marchas y otros sonidos militares en las vísperas de Ayacucho
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2024-12-03
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Universidad Nacional de Música
Resumen
La música militar en el mundo ibérico de finales del siglo XVIII y comienzos del siglo XIX se transformó notablemente debido al impacto de los fenómenos políticos que impactaron en Europa y América en ese tiempo. Desde una clara influencia francesa, que se origina incluso antes de la Revolución de 1789, pasando por una Guerra de Independencia (1808-1814), el Trienio Liberal (1820-1823) y las guerras independentistas sudamericanas (1810-1824), la música militar y sus múltiples ramificaciones e influencias conforman una parte importante de la vida cotidiana tanto en la Metrópolis como en sus provincias y territorios ultramarinos. Este trabajo supone una primera aproximación a esta dimensión sonora de las sociedades hispanas y americanas de la época con especial incidencia en la experiencia peruana en los tiempos inmediatamente anteriores a la batalla de Ayacucho.
Military music in the Iberian world of the late 18th and early 19th centuries was significantly transformed by the impact of the political phenomena that affected Europe and America at that time. From a clear French influence, which originated even before the Revolution of 1789, through the War of Independence (1808-1814), the Liberal Triennium (1820-1823) and the South American wars of independence (1810-1824), military music and its multiple ramifications and influences formed an important part of daily life both in the Metropolis and in its provinces and overseas territories. This work represents a first approach to this sound dimension of the Hispanic and American societies of the time, with special emphasis on the Peruvian experience in the times immediately preceding the Battle of Ayacucho.
Military music in the Iberian world of the late 18th and early 19th centuries was significantly transformed by the impact of the political phenomena that affected Europe and America at that time. From a clear French influence, which originated even before the Revolution of 1789, through the War of Independence (1808-1814), the Liberal Triennium (1820-1823) and the South American wars of independence (1810-1824), military music and its multiple ramifications and influences formed an important part of daily life both in the Metropolis and in its provinces and overseas territories. This work represents a first approach to this sound dimension of the Hispanic and American societies of the time, with special emphasis on the Peruvian experience in the times immediately preceding the Battle of Ayacucho.
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Dosier, Batalla de Ayacucho
Citación
Vega Salvatierra, Z. E. (2024). Patria sonora: música patriótica, marchas y otros sonidos militares en las vísperas de Ayacucho. Antec: Revista Peruana De Investigación Musical, 8(2), 59-89. https://doi.org/10.62230/antec.v8i2.121
