Músicas iberoamericanas interconectadas, caminos, circuitos y redes. Javier Marín-López, Montserrat Capelán y Paulo Castagna (eds.). Madrid / Frankfurt: Iberoamericana Vervuert, Ediciones de Iberoamericana 148, 2023
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2024-12-03
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Universidad Nacional de Música
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El libro Músicas iberoamericanas interconectadas, caminos, circuitos y redes, generado a partir del III Congreso de la Comisión de Trabajo “Música y Estudios Americanos” de la Sociedad Española de Mu sicología (MUSAM / SEdeM) realizado en Santiago de Compostela en octubre de 2021, explora las redes de intercambio musical desde la época colonial hasta la actualidad en una Iberoamérica marcada por el proceso de hibridación de tres mundos: el indígena, el africano y el europeo.¹ A través de veinticinco trabajos de autores radicados en Argentina, Austria, Brasil, Chile, España, Esta dos Unidos, México, Portugal y Puerto Rico se busca superar una visión fragmentada de la historia musical de la región y establecer conexiones entre diferentes territorios y períodos, fomentando redes de intercambio supranacionales cuyo epicentro es la música.
The book Interconnected Ibero-American Music, Paths, Circuits, and Networks, generated from the Third Congress of the Working Commission “Music and American Studies” of the Spanish Society of Musicology (MUSAM / SEdeM) held in Santiago de Compostela in October 2021, explores the networks of musical exchange from the colonial era to the present in a Latin America marked by the process of hybridization of three worlds: the indigenous, the African, and the European.¹ Through twenty-five works by authors based in Argentina, Austria, Brazil, Chile, Spain, the United States, Mexico, Portugal, and Puerto Rico, the aim is to overcome a fragmented vision of the musical history of the region and establish connections between different territories and periods, promoting supranational exchange networks whose epicenter is music.
The book Interconnected Ibero-American Music, Paths, Circuits, and Networks, generated from the Third Congress of the Working Commission “Music and American Studies” of the Spanish Society of Musicology (MUSAM / SEdeM) held in Santiago de Compostela in October 2021, explores the networks of musical exchange from the colonial era to the present in a Latin America marked by the process of hybridization of three worlds: the indigenous, the African, and the European.¹ Through twenty-five works by authors based in Argentina, Austria, Brazil, Chile, Spain, the United States, Mexico, Portugal, and Puerto Rico, the aim is to overcome a fragmented vision of the musical history of the region and establish connections between different territories and periods, promoting supranational exchange networks whose epicenter is music.
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Palacios, M. (2024). Músicas iberoamericanas interconectadas, caminos, circuitos y redes. Javier Marín-López, Montserrat Capelán y Paulo Castagna (eds.). Madrid / Frankfurt: Iberoamericana Vervuert, Ediciones de Iberoamericana 148, 2023. Antec: Revista Peruana De Investigación Musical, 8(2), 305-323. https://doi.org/10.62230/antec.v8i2.154
