Sonoridades urbanas y música catedralicia en Huamanga durante la transición del Virreinato a la República: 1797 – 1838
Archivos
Fecha
2024-06-27
Autores
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad Nacional de Música
Resumen
La diócesis de Huamanga, creada en el año 1609, fue un importante territorio evangelizador y de frontera con las dos ciudades más importantes del virreinato peruano: Cusco y la Ciudad de los Reyes (actual Lima). En consecuencia, se erigió una iglesia catedral dentro de la cual se instituyó una capilla de música que al igual que sus similares, en Arequipa y Lima, perduró durante la transición del virreinato a la república, lo que repercutió en su quehacer musical y en su organización durante el cambio de régimen político. Por otro lado, este territorio fue el escenario principal de la victoria de la Batalla de Ayacucho, en consecuencia, ello lleva a reflexionar y a cuestionar cómo fue aquel paisaje sonoro urbano y cómo se desarrollaron los estilos musicales ejecutados por su cuerpo instrumental y vocal más representativo: la capilla de música de la Catedral de Huamanga. En ese sentido, el presente trabajo analiza, estudia y aborda las características de la urbe de Huamanga para llegar a una aproximación de las distintas sonoridades urbanas que emanaron de las diversas instituciones eclesiásticas y, por otro lado, se analizan, detallan e interpretan los datos acerca de la capilla de música de la Catedral de Huamanga durante los años de 1797 a 1838, ya que no existen manuscritos de música que daten de este periodo.
The diocese of Huamanga, created in 1609, was an important evangelizing territory and, on the border, with the two most important cities of the Peruvian viceroyalty: Cusco and the City of the Kings (current Lima). Consequently, a cathedral church was erected within which a music chapel was established that, like its similar ones in the cathedrals of Arequipa and Lima, lasted during the transition from the viceroyalty to the republic, which had an impact on its musical work and in its organization, during the change of political regime. On the other hand, this territory was the main scene of the victory of the Battle of Ayacucho. Consequently, this leads us to reflect and question what that urban soundscape was like and how the musical styles developed by its most representative musical and vocal body were developed: the music chapel of the Huamanga Cathedral. In that sense, the present work analyzes, studies and addresses the characteristics of the city of Huamanga to reach an approximation of the different urban sounds that emanated from the ecclesiastical institutions and, on the other hand, the data about the music chapel of the Huamanga Cathedral during the years from 1797 to 1838 since there are no music manuscripts dating from this period studied.
The diocese of Huamanga, created in 1609, was an important evangelizing territory and, on the border, with the two most important cities of the Peruvian viceroyalty: Cusco and the City of the Kings (current Lima). Consequently, a cathedral church was erected within which a music chapel was established that, like its similar ones in the cathedrals of Arequipa and Lima, lasted during the transition from the viceroyalty to the republic, which had an impact on its musical work and in its organization, during the change of political regime. On the other hand, this territory was the main scene of the victory of the Battle of Ayacucho. Consequently, this leads us to reflect and question what that urban soundscape was like and how the musical styles developed by its most representative musical and vocal body were developed: the music chapel of the Huamanga Cathedral. In that sense, the present work analyzes, studies and addresses the characteristics of the city of Huamanga to reach an approximation of the different urban sounds that emanated from the ecclesiastical institutions and, on the other hand, the data about the music chapel of the Huamanga Cathedral during the years from 1797 to 1838 since there are no music manuscripts dating from this period studied.
Descripción
Palabras clave
Virreinato y república, Música catedralicia, Ayacucho, Huamanga, Batalla de Ayacucho
Citación
Ayarza Chávez, F. G. (2024). Cathedral music and sounds of the city in Huamanga during the transition from the Viceroyalty to the Republic: 1797 – 1838. Antec: Revista Peruana De Investigación Musical, 8(1), 142-61. https://doi.org/10.62230/antec.v8i1.214
