Transformación musical de la Kachampa en cuatro obras académicas
Fecha
2017-08-28
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Universidad Nacional de Música
Resumen
El presente trabajo muestra las diversas posibilidades utilizadas por cuatro compositores, tres peruanos y un italiano, de épocas distintas para transformar, desarrollar y recrear la música de una conocida danza tradicional del Cusco: la kachampa.
La primera parte, trata sobre el contexto histórico-musical en el que se ubican las cuatro obras, a fin de establecer su relación con los estilos de escritura y las corrientes en boga de la época. La segunda parte, describe la música de la danza tradicional, subdividiéndola en frases y estableciendo sus elementos de unidad y de variedad. Luego, empieza el análisis comparativo de cada obra académica en relación a la pieza musical tradicional tomada como punto de partida. Finalmente, se expondrán las conclusiones del trabajo. Se describe someramente las maneras cómo cada compositor enfrenta el problema que implica partir de una danza cuya intención original suele ser más social o ceremonial que musical y cómo estos compositores la han “recreado” con el propósito de darle un valor musical y artístico.
The present work shows the diverse possibilities used by four composers - three Peruvians, one Italian - from different eras to transform, develop and recreate the music of a well-known traditional dance from Cusco: the Kachampa. The first part addresses the historical-musical context in which the four works are located in order to establish their relationship with the styles of writing and the trends in vogue at the time. The second part describes the music of the traditional dance, subdividing it into phrases and establishing its elements of unity and variation. The paper subsequently undertakes the comparative analysis of each academic work in relation to the starting point of the traditional musical piece. Finally, the conclusions of the work are presented, briefly describing the ways in which each composer faces the problem implied in adapting a dance originally intended for a social or ceremonial rather than musical orientation, and how these composers have “recreated” the dance in order to give it musical and artistic value.
The present work shows the diverse possibilities used by four composers - three Peruvians, one Italian - from different eras to transform, develop and recreate the music of a well-known traditional dance from Cusco: the Kachampa. The first part addresses the historical-musical context in which the four works are located in order to establish their relationship with the styles of writing and the trends in vogue at the time. The second part describes the music of the traditional dance, subdividing it into phrases and establishing its elements of unity and variation. The paper subsequently undertakes the comparative analysis of each academic work in relation to the starting point of the traditional musical piece. Finally, the conclusions of the work are presented, briefly describing the ways in which each composer faces the problem implied in adapting a dance originally intended for a social or ceremonial rather than musical orientation, and how these composers have “recreated” the dance in order to give it musical and artistic value.
Descripción
Palabras clave
Música tradicional, Kachampa, Transformación musical, Composición musical
Citación
Sosaya Welkselman, J. (2017). Transformación musical de la Kachampa en cuatro obras académicas. Antec: Revista Peruana De Investigación Musical, 1(1), 31–58. https://doi.org/10.62230/antec.v1i1.9
