Arturo Ruiz del Pozo, Selvynas (1978): Breves anotaciones
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2024-06-27
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Universidad Nacional de Música
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La sofisticación en la experimentación sonora por parte de compositores peruanos tiene una larga data. Compositores de la generación del 50 como César Bolaños y Edgar Valcárcel se enfrascaron en la búsqueda tímbrica que se había desarrollado con la música concreta y la música electrónica en la vanguardia musical europea de los años 40 y 50, respectivamente. Como alumno de esa escuela, el compositor Arturo Ruiz del Pozo se consolidó como un prominente expositor de música electroacústica, pero buscando una especial manifestación tímbrica de identidad peruana, difícil de esgrimir en el marco de un lenguaje, en su momento, tan lejano a las vertientes musicales instrumentales clásicas, populares y tradicionales de la nación.
The sophistication of sound experimentation by Peruvian composers has a long history. Composers of the generation of the 50s such as César Bolaños and Edgar Valcárcel were immersed in the timbral search that had developed with concrete music and electronic music in the European musical avant-garde of the 40s and 50s, respectively. As a student of that school, the composer Arturo Ruiz del Pozo established himself as a prominent exponent of electroacoustic music, but seeking a special timbral manifestation of Peruvian identity, difficult to wield within the framework of a language, at the time, so far removed from the classical, popular and traditional instrumental musical trends of the nation.
The sophistication of sound experimentation by Peruvian composers has a long history. Composers of the generation of the 50s such as César Bolaños and Edgar Valcárcel were immersed in the timbral search that had developed with concrete music and electronic music in the European musical avant-garde of the 40s and 50s, respectively. As a student of that school, the composer Arturo Ruiz del Pozo established himself as a prominent exponent of electroacoustic music, but seeking a special timbral manifestation of Peruvian identity, difficult to wield within the framework of a language, at the time, so far removed from the classical, popular and traditional instrumental musical trends of the nation.
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Dosier, Arturo Ruiz del Pozo
Citación
Ocampo Grey, Álvaro A. (2024). Arturo Ruiz del Pozo, Selvynas (1978): Breves anotaciones. Antec: Revista Peruana De Investigación Musical, 8(1), 47-54. https://doi.org/10.62230/antec.v8i1.225
