Recursos violinísticos de la tradición musical de danza de tijeras en Huanta, Ayacucho
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2020-12-06
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Universidad Nacional de Música
Resumen
La danza de tijeras presenta una música particular en comparación con otras expresiones musicales de la tradición andina. Su interpretación del violín ha adquirido características propias que se vinculan con una gama de recursos técnico-expresivos, transmitidos a través de la imitación en la tradición aural, y sobre los cuales no hay estudios suficientes. En este trabajo, se aborda el contexto de la práctica tradicional del violín en Huanta, Ayacucho, reconociendo las dinámicas de aprendizaje del instrumento y el rol de liderazgo musical que asume el violinista. Como estudio central, se analizan los recursos melódicos y de ornamentación empleados durante la ejecución del violín, e indicados mediante transcripciones musicales realizadas a partir de una fuente sonora. Paralelamente al reconocimiento de estos recursos, se devela la relación existente entre su concreción sonora en la música y la expresión coreográfica del danzante o dansaq. Los resultados de la investigación permiten observar que la ejecución de los recursos técnico-expresivos en el violín constituye un componente estético sustancial en la tradición musical de la danza de las tijeras.
The scissors dance presents a particular music compared to other musical expressions of the Andean tradition. The interpretation of the violin has acquired its own characteristics that are linked to a range of technical-expressive resources, transmitted through the imitation in the aural tradition, and on which there are not enough studies. In this study, the context of the traditional practice of the violin in Huanta, Ayacucho is approached, recognizing the dynamics of learning the instrument and the role of musical leadership that the violinist assumes. As a central study, the melodic and ornamental resources used during the performance of the violin are analyzed and indicated by musical transcriptions made from a sound source. Parallel to the recognition of these resources, the relationship between their sound embodiment in music and the choreographic expression of the dancer or dansaq is revealed. The results of the research allow us to observe that the execution of the technical-expressive resources on the violin constitutes a substantial aesthetic component in the musical tradition of the Scissors dance.
The scissors dance presents a particular music compared to other musical expressions of the Andean tradition. The interpretation of the violin has acquired its own characteristics that are linked to a range of technical-expressive resources, transmitted through the imitation in the aural tradition, and on which there are not enough studies. In this study, the context of the traditional practice of the violin in Huanta, Ayacucho is approached, recognizing the dynamics of learning the instrument and the role of musical leadership that the violinist assumes. As a central study, the melodic and ornamental resources used during the performance of the violin are analyzed and indicated by musical transcriptions made from a sound source. Parallel to the recognition of these resources, the relationship between their sound embodiment in music and the choreographic expression of the dancer or dansaq is revealed. The results of the research allow us to observe that the execution of the technical-expressive resources on the violin constitutes a substantial aesthetic component in the musical tradition of the Scissors dance.
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Danza de Tijeras, Música Tradicional Andina, Recursos Violinísticos, Danzante de Tijeras
Citación
Valiente Estrada, K. G. (2020). Recursos violinísticos de la tradición musical de danza de tijeras en Huanta, Ayacucho. Antec: Revista Peruana De Investigación Musical, 4(2), 18–46. https://doi.org/10.62230/antec.v4i2.93
