El Kyrie y el Gloria de la Misa del Papa Marcello: una visión desde la Dirección Coral
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This paper explores which choral conducting resources are necessary when interpreting the Kyrie and the Gloria of the Mass of Pope Marcello, so that choral directors and educators can perform it. To do so, the character and texture of both parts of the mass have been identified, reaching the conclusion that they are contrasting. Fragments from each of them have been chosen and analyzed, reviewing the theory of strict style imitative counterpoint and melodic conduction, in order to provide scope for their interpretation.