Entrevista a Juan Arroyo (1981) por Alonso Almenara
| dc.contributor.author | Almenara, Alonso | |
| dc.date.accessioned | 2025-03-31T15:34:22Z | |
| dc.date.available | 2025-03-31T15:34:22Z | |
| dc.date.issued | 2024-06-27 | |
| dc.description.abstract | El compositor peruano Juan Arroyo se ha hecho un nombre en Europa gracias a la originalidad de sus aportes en electroacústica y a la intensidad visceral de su escritura instrumental. Nacido en Lima en 1981, estudió composición en los Conservatorios de Lima, Burdeos y en el Conservatorio Nacional Superior de Música y Danza de París, y ha recibido multiples reconocimientos a sus obras. Actualmente es compositor invitado de la Orquesta Sinfónica Nacional del Perú, co-director artístico y musical del Ensemble Regards, co-director artístico del Festival Sonomundo, curador del festival Experimenta del Gran Teatro Nacional del Perú, profesor del Conservatorio Jean-Baptiste Lully, y ha sido miembro del Consejo Artístico de la Casa de Velázquez, entre 2021 y 2024. | |
| dc.description.abstract | Peruvian composer Juan Arroyo has made a name for himself in Europe thanks to the originality of his contributions in electroacoustics and the visceral intensity of his instrumental writing. Born in Lima in 1981, he studied composition at the Conservatories of Lima, Bordeaux and at the National Conservatory of Music and Dance in Paris, and has received multiple awards for his works. He is currently a guest composer of the National Symphony Orchestra of Peru, co-artistic and musical director of the Ensemble Regards, co-artistic director of the Sonomundo Festival, curator of the Experimenta festival of the Gran Teatro Nacional del Perú, professor at the Jean-Baptiste Lully Conservatory, and has been a member of the Artistic Council of the Casa de Velázquez, between 2021 and 2024. | |
| dc.format | application/pdf | |
| dc.format.size | 590.79 KB | |
| dc.identifier.citation | Almenara, A. (2024). Entrevista a Juan Arroyo (1981) por Alonso Almenara. Antec: Revista Peruana De Investigación Musical, 8(1), 101-111. https://doi.org/10.62230/antec.v8i1.235 | |
| dc.identifier.doi | https://doi.org/10.62230/antec.v8i1.235 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12767/295 | |
| dc.language.iso | spa | |
| dc.publisher | Universidad Nacional de Música | |
| dc.publisher.country | PE | |
| dc.relation.isPartOf | urn:issn:2521-8565 | |
| dc.relation.isPartOf | urn:issn:2616-681X | |
| dc.rights | https://purl.org/coar/access_right/c_abf2 | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.subject | Dosier | |
| dc.subject | Entrevistas | |
| dc.subject | Juan Arroyo | |
| dc.subject | Dossier | |
| dc.subject | Interviews | |
| dc.subject | Juan Arroyo | |
| dc.subject.ocde | http://purl.org/pe-repo/ocde/ford#6.04.07 | |
| dc.title | Entrevista a Juan Arroyo (1981) por Alonso Almenara | |
| dc.type | https://purl.org/coar/resource_type/c_6501 | |
| dc.type.version | https://purl.org/coar/version/c_970fb48d4fbd8a85 |
