Músicos en movimiento: comprendiendo el movimiento corporal en la interpretación musical de clarinetistas
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2024-12-03
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Universidad Nacional de Música
Resumen
El estudio del movimiento corporal en la interpretación musical ha ganado relevancia en las últimas décadas, especialmente en la búsqueda de una mayor comprensión de la expresividad musical. Este trabajo tiene como objetivo describir y clasificar los movimientos corporales empleados por clarinetistas durante la interpretación de la Sonata para clarinete y piano de Francis Poulenc, una obra compleja en términos de cambios dinámicos y de tempo. Bajo un enfoque cualitativo, se llevó a cabo un estudio de caso múltiple con cuatro clarinetistas que habían interpretado esta sonata. Se seleccionaron trece extractos representativos de los tres movimientos, los cuales mostraban modificaciones significativas de tempo y dinámica. Los resultados revelaron seis movimientos corporales principales y uno secundario, cuya intensidad y frecuencia variaron entre los intérpretes. Estos hallazgos contribuyen al entendimiento de cómo los músicos utilizan el cuerpo para transmitir la expresividad musical, proporcionando un aporte valioso a las teorías actuales sobre la relación entre cuerpo e interpretación en la música clásica.
The study of body movement in musical performance has gained relevance in recent decades, especially in the search for a greater understanding of musical expressivity. This research aims to describe and classify the body movements employed by clarinetists during the performance of Francis Poulenc's Clarinet and piano Sonata, a complex work in terms of dynamic and tempo changes. Under a qualitative approach, a multiple case study was conducted with four clarinetists who had performed this sonata. Thirteen representative excerpts were selected from the three movements, which showed significant variations in tempo and dynamics. The results revealed six major and one minor body movements, the intensity and frequency of which varied among performers. These findings contribute to the understanding of how musicians use the body to convey musical expressivity, providing a contribution to current theories on the relationship between body and performance in classical music.
The study of body movement in musical performance has gained relevance in recent decades, especially in the search for a greater understanding of musical expressivity. This research aims to describe and classify the body movements employed by clarinetists during the performance of Francis Poulenc's Clarinet and piano Sonata, a complex work in terms of dynamic and tempo changes. Under a qualitative approach, a multiple case study was conducted with four clarinetists who had performed this sonata. Thirteen representative excerpts were selected from the three movements, which showed significant variations in tempo and dynamics. The results revealed six major and one minor body movements, the intensity and frequency of which varied among performers. These findings contribute to the understanding of how musicians use the body to convey musical expressivity, providing a contribution to current theories on the relationship between body and performance in classical music.
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Palabras clave
Movimientos corporales, Clarinete, Expresividad musical, Interpretación
Citación
Díaz Jara, E. A., & Ñopo Olazábal, V. H. (2024). Músicos en movimiento: comprendiendo el movimiento corporal en la interpretación musical de clarinetistas. Antec: Revista Peruana De Investigación Musical, 8(2), 238-264. https://doi.org/10.62230/antec.v8i2.254
